FmArchive > InterviewLivingDigitally ${ Edit }}+-C67
[]{#living_digitally} living digitally
(interview/presentation in the giant durian (Jendela Gallery, Esplanade), singapore. 20031018 as transcribed by untrained voice recognition software)
All all into the system at this wanna is that any thin the middle with a red T-shirt is high season and at to and as far and we have guess at that, life responses Europe to be here either event called olio el put to call of the festival the salsa and a bill legalizing called the year of living digitally are we are Alfonse I just briefly pound is an event which brings to get the sound of this from different cost of Europe and Asia are for three days of all of performance is and also have presentations as well which is pause is as a safe drinking to get a using sound and technology in different ways are worried that different approaches and to exchange ideas and also Chau chow performance is and also a share something is well with some of 46 are which we've been doing for lost u evenings in as few chat ensued and now today and the estimate by a solar slew of those eager here in the beginning are farmers minute or about this this thing the people wanna see the year I'm which is that this software for this icon of manipulates we say and that I know it taps into the in the evening working with as sound of this witches as well as office really which is your dear of corruption of data some of the water several something about our yet this summer really witches der corruption of DOS and somewhat of several something about yes this release, which
during the performance we seek to shift the local atmosphere from dissolution and clumsiness through manual change and ecstatic fiddling into an imaginative state of complex monotony, structured calm and chill, or endless associative babbling. so that towards the end the authors become the audience and the audience can be confronted with a stage populated by machines only which cant get out of infinitely rendering a stream of slight semantic madness. all this with the help of extreme frequencies and distorted, flickering images. more...
wrote drew the performance we seek to shift a little atmosphere for dissolution and clumsiness to menu changes that the filling into an amended the state of complex monopsony structure, and chill for Ellis associative gambling so that was then filters become or the is an ordinance to be confronted with a stage or later by machines only which cut out of infinite the rendering a string of slight semantic madness all this with the help of extreme frequencies and salsa flickering image's
A K A has heh has his attacker am referring some of it yet we watched by entering the an interim Performance Wall was are reproducing the sound for lack of interest
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and the will your arm and manipulate the sound than at an using the Internet to do that which will time to assess the thing about
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buy computers and technology I mean and many until
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